{"id":50,"date":"2016-08-13T14:07:57","date_gmt":"2016-08-13T13:07:57","guid":{"rendered":"http:\/\/londonparisromantic.com\/?page_id=50"},"modified":"2026-02-12T16:38:01","modified_gmt":"2026-02-12T16:38:01","slug":"programme","status":"publish","type":"page","link":"http:\/\/londonparisromantic.com\/?page_id=50","title":{"rendered":"Programme"},"content":{"rendered":"<p><strong>All seminars in 2025-26 will be held in Room 349 (third floor) in Senate House, University of London, Malet Street, London WC1E 7HU. Please ask at the foyer for directions.<\/strong><\/p>\n<p><strong>Seminars are free and open to everyone, including postgraduates and members of the public. Registration is not required &#8211; just show up and you will be made welcome.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 17 October 2025<\/strong><\/span><\/p>\n<p><strong>Timothy Milnes (University of Edinburgh)<\/strong><\/p>\n<p><em>Vomit from the Abysm: Shelley, Waste, and the Sublime<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 14 November 2025<\/strong><\/span><\/p>\n<p><strong>Mary Fairclough (University of York)<\/strong><\/p>\n<p><em>Mary Wollstonecraft: Apostrophe, Prayer and Voice<\/em><\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 30 January 2026<\/strong><\/span><\/p>\n<p><strong>Luisa Cal\u00e8\u00a0(Birkbeck, University of London)<\/strong><\/p>\n<p><em>Detached Pieces, Loose Leaves and the Poetics of the Unbound Book<\/em><\/p>\n<p><strong>Respondent: David Duff<\/strong><\/p>\n<p>17.30-19.30 Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 6 March 2026 <span style=\"color: #0000ff;\">[***POSTPONED TILL NEXT YEAR***]<\/span><\/strong><\/span><\/p>\n<p><strong>Julia Carlson (University of Cincinatti)<\/strong><\/p>\n<p><em>Unfolding Thomas Clarkson\u2019s Map of Abolition: Romantic Movements, Media History, and the Book<\/em><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong>\u00a0<\/p>\n<p>17.30-19.30 Senate House, Room 349 (third floor)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 10 April 2026<\/strong><\/span><\/p>\n<p><strong><span style=\"color: #3366ff;\">International panel: <em>Love and the Posthumous in P. B. Shelley<\/em><\/span><\/strong><\/p>\n<p><strong>Pauline Hortolland (Universit\u00e9 de Franche-Comt\u00e9) and Merrilees Roberts (University of Cambridge)<\/strong><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 Senate House, Room 349 (third floor)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 8 May 2026<\/strong><\/span><\/p>\n<p><strong><span style=\"color: #3366ff;\">International panel:\u00a0<em>Romantic Wales and Empire: Inside and Out<\/em><\/span><\/strong><\/p>\n<p><strong><span style=\"color: #000000;\">Rhys Kaminski-Jones (University of Wales Trinity St David) and Timothy Heimlich (Duke University)<\/span><\/strong><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>PREVIOUS SEMINAR SERIES<\/strong><\/span><\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>2024-25 programme<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 18 October 2024<\/strong><\/span><\/p>\n<p><strong>Nicholas Roe (University of St Andrews)<\/strong><\/p>\n<p><em>The Book that Nobody Reads: Leigh Hunt\u2019s <\/em>Lord Byron and Some of his Contemporaries (1828)<\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 243 (second floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 15 November 2024<\/strong><\/span><\/p>\n<p><strong>Will Bowers (Queen Mary University of London)<\/strong><\/p>\n<p><em>Shelley\u2019s Plastic Greek<\/em><\/p>\n<p><strong>Chair: Isobel Hurst<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 243 (second floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 13 December 2024<\/strong><\/span><\/p>\n<p><strong>Katharina Boehm (University of Passau)<\/strong><\/p>\n<p><em>\u201cPregnant materials for future times\u201d: Antiquarian Conjecturing, Material Culture, and the Historical Novel<\/em><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 24 January 2025<\/strong><\/span><\/p>\n<p><strong>John Gardner (Anglia Ruskin University)<\/strong><\/p>\n<p><em>Romantic Engines<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 21 February 2025<\/strong><\/span><\/p>\n<p><strong>Katherine Harloe (Institute of Classical Studies, University of London)<\/strong><\/p>\n<p><em>Goethe\u2019s<\/em>\u00a0Winckelmann:<em> Puzzling Through a Consequential Classic<\/em><\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 21 March 2025<\/strong><\/span><\/p>\n<p><strong>Daniel Roberts (Queen&#8217;s University Belfast)<\/strong><\/p>\n<p><em>Imagining China in Romantic-Period Magazines<\/em><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 2 May 2025<\/strong><\/span><\/p>\n<p><strong>Elizabeth Denlinger (New York Public Library)<\/strong><\/p>\n<p><em><span data-olk-copy-source=\"MessageBody\">&#8220;What Trade Shall I Be?&#8221; Career Choices and Children&#8217;s Culture in the Romantic Age<\/span><\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #993300;\"><span style=\"color: #ff0000;\">Friday 16 &#8211; Saturday 17 May 2025<\/span>\u00a0<\/span><\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>PARIS SYMPOSIUM: <em>Romantic Shock and Surprise<\/em><\/strong><\/span><\/p>\n<p>Sorbonne Universit\u00e9<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>2023-24 programme<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 20 October 2023<\/strong><\/span><\/p>\n<p><strong>Mathelinda Nabugodi (University College London)<\/strong><\/p>\n<p><em>Wordsworth&#8217;s Tea Cup: Sugar, Slavery and Taste<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 10 November 2023<\/strong><\/span><\/p>\n<p><strong>Michael Simpson (Goldsmiths, University of London)<\/strong><\/p>\n<p><em>Relaunching Drury Lane; or, The Byronic Amphitheatre of Poetry, Press and Provocation<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 26 January 2024<\/strong><\/span><\/p>\n<p><strong>Joanna Wharton (University of York)<\/strong><\/p>\n<p><em>Maria Edgeworth&#8217;s Telegraphic Fictions<\/em><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 23 February 2024<\/strong><\/span><\/p>\n<p><strong>Matthew Sangster (University of Glasgow)<\/strong><\/p>\n<p><em>Mainstreams and Margins: Libraries, Borrowing and Reading in Romantic-Period Scotland<\/em><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 22 March 2024<\/strong><\/span><\/p>\n<p><strong>Ewan Jones (University of Cambridge)<\/strong><\/p>\n<p><em>Habits of Inattention in Romantic Literature<\/em><\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 26 April 2024<\/strong><\/span><\/p>\n<p><strong>Sara Lodge (University of St Andrews)<\/strong><\/p>\n<p><em>Displaced Subjects: Thomas Hood, Charles Lamb, and the Vagrant Body<\/em><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 17 May 2024<\/strong><\/span><\/p>\n<p><strong>Brecht de Groote (Ghent University)<\/strong><\/p>\n<p><em>\u201cThat Which is Unseen, Shines the Brighter\u201d: Pseudotranslation and Mediation in British Romanticism.\u00a0<\/em><\/p>\n<p><strong>Respondent: Laurent Folliot (Sorbonne University, Paris)<\/strong><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room (G35, ground floor)<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>2022-23 programme<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 18 November 2022<\/strong><\/span><\/p>\n<p><strong>Robbie Richardson<\/strong> <strong>(Princeton University)<\/strong><\/p>\n<p>Etuaptmumk,<em> or, Two-Eyed Seeing: Sympathy, Relationality, and Collecting the Dead in the Eighteenth Century<\/em><\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room G4\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 9-Saturday 10 December 2022<\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff;\"><strong>PARIS SYMPOSIUM: <em>Oaths, Odes and Orations 1789-1830<\/em><\/strong><\/span><\/p>\n<p>Sorbonne Universit\u00e9 and Ecole Normale Sup\u00e9rieure<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 27 January 2023<\/strong><\/span><\/p>\n<p><strong>Felicity James (University of Leicester) <\/strong>with <strong>Crystal Biggin<\/strong> <strong>(Leicester)<\/strong><\/p>\n<p><em>Charles and Mary Lamb\u2019s<\/em> Tales from Shakespeare <em>and the Godwins\u2019 Juvenile Library<\/em><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room G4\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 24 February 2023<\/strong><\/span><\/p>\n<p><strong>Cian Duffy<\/strong> <strong>(Lund University)<\/strong><\/p>\n<p><em>Travelling North: British Romanticism and Denmark<\/em><\/p>\n<p><strong>Chair: Michael Simpson<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room G4\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 24 March 2023<\/strong><\/span><\/p>\n<p><strong>Daisy Hay<\/strong> <strong>(University of Exeter)<\/strong><\/p>\n<p><em>Writing a Revolutionary Age in <\/em>Dinner with Joseph Johnson<\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room G4\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 21 April 2023 (ONLINE)<\/strong><\/span><\/p>\n<p><strong>Kate Rigby (University of Cologne)<\/strong><\/p>\n<p>Sympoesie:<em> Augmentation, Conviviality and Collaboration in Romantic Ecopoetics<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1) via Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 19 May 2023<\/strong><\/span><\/p>\n<p><strong>Kimberley Page-Jones (Universit\u00e9 de Bretagne Occidentale, Brest)<\/strong><\/p>\n<p><em>&#8216;Donnez les spectateurs en spectacle: rendez les acteurs eux-m\u00eames&#8217;: Revolutions,<\/em> F\u00eates<em> and Festivals in Romantic Culture<\/em><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room G4\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>2021-22 programme<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 22 October 2021 (ONLINE)<\/span><\/strong><\/p>\n<p><strong>Robert Morrison (Bath Spa University\/ Queen&#8217;s, Ontario)<\/strong><\/p>\n<p><em>Sex and the Regency: Love, Rakery, and Respectability<\/em><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 19 November 2021 (ONLINE)<\/span><\/strong><\/p>\n<p><strong>Jonathan Sachs (Concordia University, Montreal)<\/strong><\/p>\n<p><em>Slow Time: Romanticism, Media, and Mobility<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 London time (GMT) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 10 December 2021 (ONLINE)<\/span><\/strong><\/p>\n<p><strong>Susan Oliver (University of Essex)<\/strong><\/p>\n<p><em>Elemental Romanticism: Scott and the Transcendentalists<\/em><\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 London time (GMT) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 28 January\u00a0 2022 (ONLINE)<\/span><\/strong><\/p>\n<p><strong>Seamus Perry (University of Oxford)<\/strong><\/p>\n<p><em>Keats at Home<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 London time (GMT) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 25 February 2022 (ONLINE)<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #0000ff;\">International panel: <em>Caribbean Romanticism<\/em> <\/span><\/strong><\/p>\n<p><strong>Emily Senior (Birkbeck, University of London)<\/strong><\/p>\n<p><em>&#8220;Nurse Flora, in Jamaica\u201d and her Afterlives\u00a0 <\/em><\/p>\n<p><strong>Nicole Aljoe (Northeastern University)<\/strong><\/p>\n<p><em>A Secret History of the Sable Venus: Digital Analysis, Narrative Authority, and the Discourses of Race<\/em>\u00a0<em>in European Novels with Afro-Caribbean Female Protagonists, 1808-1827<\/em><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 London time (GMT) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 29 April 2022 (ONLINE)<\/span><\/strong><\/p>\n<p><strong>Jon Mee (University of York)<\/strong><\/p>\n<p><em>The Transpennine Enlightenment: Literature, Bodies, and Machines in an Industrial Revolution, 1781-1832<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 17 June 2022 (ONLINE)<\/span><\/strong><\/p>\n<p><strong>Deidre Lynch (Harvard University)<\/strong><\/p>\n<p><em>Charles Lamb&#8217;s Paperwork<\/em><\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1) on Zoom<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong><span style=\"color: #339966;\">2020-21 programme<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 23 October 2020 (ONLINE)<\/span><\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Panel event: <em>Environmental Humanities and Romanticism<\/em><\/strong><\/span><\/p>\n<p><strong>Jeremy Davies (University of Leeds)<\/strong><\/p>\n<p><em>Romantic Ecocriticism and the Industrial Revolution\u00a0<\/em><\/p>\n<p><strong>Fiona Stafford (University of Oxford)<\/strong><\/p>\n<p><em>Mourning the Daisy&#8217;s Fate: Ruin, Recovery and Romanticism <\/em><\/p>\n<p><strong>Chair: Rowan Boyson<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 20 November 2020 (ONLINE)<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #0000ff;\">International panel: <em>Romantic Paper Arts<\/em><\/span><\/strong><\/p>\n<p><strong>Heather Hyde Minor (University of Notre Dame)<\/strong><\/p>\n<p><em>Piranesi\u2019s Trash<\/em><\/p>\n<p><strong>Catriona MacLeod (University of Chicago)<\/strong><\/p>\n<p><em>The Violent Potency of Paper: Romantic <\/em>Scherenschnitte<\/p>\n<p><strong>Chair: Luisa Cal\u00e8<\/strong><\/p>\n<p>17.30-19.30 London time (GMT) via Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 19 February 2021<\/strong> <\/span><span style=\"color: #ff0000;\"><strong>(ONLINE)<\/strong><\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n<p><strong>Nigel Leask (University of Glasgow)<\/strong><\/p>\n<p><em>\u2018Werry romantic&#8230;among these Mountains &amp; Lakes\u2019: John Keats and the Highland Tour<\/em><\/p>\n<p><strong>Chair: Gregory Dart<\/strong><\/p>\n<p>17.30-19.30 London time (GMT) via Zoom<\/p>\n<p><span style=\"color: #0000ff;\"><strong>Click <a href=\"https:\/\/www.sas.ac.uk\/videos-and-podcasts\/culture-language-and-literature\/london-paris-romanticism-seminar-%E2%80%98werry\"><span style=\"color: #ff0000;\">here<\/span><\/a> for a recording of this talk<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 16 April 2021 (ONLINE)<\/strong><\/span><\/p>\n<p><strong>Jane Stabler (University of St Andrews)<\/strong><\/p>\n<p><em>Down and Out in Paris and London: The Unseen, the Unsaid, and the Unsayable in Byron\u2019s Manuscripts<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1) via Zoom<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 21 May 2021 (ONLINE)<\/strong><\/span><\/p>\n<p><strong><span style=\"color: #0000ff;\">International panel: <em>Romantic <\/em><em>Salons and Salonni\u00e8res<\/em><\/span><\/strong><\/p>\n<p><strong>Susanne Schmid (Freie Universit\u00e4t Berlin)<\/strong><\/p>\n<p><em>Travellers, Publishers and Lions: International Contacts and the Countess of Blessington\u2019s Salons<\/em><\/p>\n<p><strong>Carmen Casaliggi (Cardiff Metropolitan University)<\/strong><\/p>\n<p><em>Germaine de Sta\u00ebl and Ugo Foscolo at Holland House<\/em><\/p>\n<p><strong>Chair: David Duff<\/strong><\/p>\n<p>17.30-19.30 London time (GMT+1) via Zoom<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><strong>2019-20 programme<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 18 October 2019<\/strong><\/span><\/p>\n<p><strong>Timothy Webb (University of Bristol)<\/strong><\/p>\n<p><em>Leigh Hunt and \u2018Romantic\u2019 Imprisonment<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 15 November 2019<\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff;\"><strong>International panel:<\/strong><strong> <em>British Responses to the 1830 Revolution in France<\/em><\/strong><\/span><\/p>\n<p><strong>Ian Haywood (University of Roehampton)<\/strong><\/p>\n<p><em>How to Do Revolution: Three Glorious Days in a Caricature Magazine<\/em><\/p>\n<p><strong>James Grande (King\u2019s College London)<\/strong><\/p>\n<p><em>Cobbett, Captain Swing and the July Revolution<\/em><\/p>\n<p><strong>Respondent: Laurent Folliot (Universit\u00e9 Paris-Sorbonne)<\/strong><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 13 December 2019<\/strong><\/span><\/p>\n<p><strong>Mary-Ann Constantine (University of Wales)<\/strong><\/p>\n<p><em>A Welsh Bard Walking: Pedestrianism, Place and Politics in 1802<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 24 January 2020<\/strong><\/span><\/p>\n<p><strong>Claire Connolly (University College Cork)<\/strong><\/p>\n<p><em>The Impending Era: Irish Romanticism Before and After the Famine<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 28 February 2020<\/strong><\/span><\/p>\n<p><strong>Nicholas Halmi (University of Oxford)<\/strong><\/p>\n<p><em>Self-Reflexive Revolutions<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 20 March 2020<\/strong><\/span><\/p>\n<p><strong>Tilar Mazzeo (University of Montreal)<\/strong><\/p>\n<p><em>William Blake, Batty Langley, and the Builder&#8217;s Jewel<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p><strong><span style=\"color: #339966;\">CANCELLED<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008000;\"><strong>2018-19 programme<\/strong><\/span><\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 19 October 2018<\/strong><\/span><\/p>\n<p><strong>Marc Por\u00e9e (Ecole Normale Sup\u00e9rieure, Paris)<\/strong><\/p>\n<p><em>A Grammar of Surprise<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 16 November 2018<\/strong><\/span><\/p>\n<p><strong>Mina Gorji (University of Cambridge)<\/strong><\/p>\n<p><em>Romantic Listening: <\/em><em>John Clare&#8217;s Sympathetic Ear<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 30 November 2018<\/span>\u00a0<\/strong><\/p>\n<p><strong>Angela Esterhammer (University of Toronto)<\/strong><\/p>\n<p><em>Performance and Print Culture in the 1820s: Speculation, Improvisation, Identity<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 18 January 2019<\/strong><\/span><\/p>\n<p><strong>Ian Duncan (University of California, Berkeley)<\/strong><\/p>\n<p><em>The Romantic Novel and the Natural History of Man: Goethe, Sta\u00ebl, Scott<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 8 February 2019<\/strong><\/span><\/p>\n<p><strong>Tom Mole (University of Edinburgh)<\/strong><\/p>\n<p><em>Byron and the Difficulty of Beginning<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, G37 (ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 1 March 2019<\/span><\/strong><\/p>\n<p><strong>David Duff and others<\/strong><\/p>\n<p><em>New Directions in Romantic Scholarship: An international book launch<\/em><\/p>\n<p>17.30-20.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 15 March 2019<\/span><\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>International panel: <em>Keats and France<\/em><\/strong><\/span><\/p>\n<p><strong>Caroline Berton<\/strong><strong><em>\u00e8<\/em><\/strong><strong>che (Universit\u00e9 Grenoble-Alpes) <\/strong><\/p>\n<p><em>Keats\u2019s Frenchness<\/em><\/p>\n<p><strong>Emily Rohrbach (University of Manchester)<\/strong><\/p>\n<p><em>Reading Keats with Ranci\u00e8re<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 26 April 2019<\/strong><\/span><\/p>\n<p><strong>Frances Ferguson (University of Chicago)<\/strong><\/p>\n<p><em>Anna Letitia Barbauld, the Book, and the World<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 17 May 2019<\/strong><\/span><\/p>\n<p><strong>Daniel O\u2019Quinn (University of Guelph)<\/strong><\/p>\n<p><em>Whither Shakespeare?: Reynolds, Siddons, and the Post-American Repertoire<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 7 June 2019<\/span><\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>LONDON SYMPOSIUM:<em> Romanticism at the Royal Institution<\/em><\/strong><\/span><\/p>\n<p><em>Speakers:<\/em> David Duff, Frank James, Hattie Lloyd, Seamus Perry, Sharon Ruston, Sarah Zimmerman<\/p>\n<p>14.00-20.00\u00a0 The Royal Institution of Great Britain, 21 Albemarle Street, London\u00a0 W1S 2BS<\/p>\n<p>In partnership with the Fordham Romanticism Group, New York, Queen Mary University of London, and The Royal Institution, London<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong><span style=\"color: #008000;\">2017-18 programme<\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 20 October 2017<\/strong><\/span><\/p>\n<p><strong>Diego Saglia (University of Parma)<\/strong><\/p>\n<p><em>The Cross-Channel Stage: Transnational Theatre in the Age of Romanticism<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Court Room (first floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 17 November 2017<\/strong><\/span><\/p>\n<p><strong>Laurent Folliot (University of Paris-Sorbonne)<\/strong><\/p>\n<p><em>Coleridge and Myriad-Mindedness<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 8 December 2017<\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff;\"><strong>International panel:<em> Byron and Romantic Realism<\/em><\/strong><\/span><\/p>\n<p><strong>Richard Lansdown (University of Groningen)<\/strong><\/p>\n<p><em>Novelistic Realism in the English Cantos of<\/em> Don Juan<\/p>\n<p><strong>Rosa Mucignat (King\u2019s College London)<\/strong><\/p>\n<p><em>Byron and Realist Time-Space: Metonymy and the Chronotope in <\/em>Childe Harold<em> Canto IV<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Room G3 (ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 19 January 2018\u00a0<\/strong><\/span><\/p>\n<p><strong>Sarah Haggarty (University of Cambridge)<\/strong><\/p>\n<p><em>Blake\u2019s Newton and Romantic Geometry<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 16 February 2018<\/strong><\/span><\/p>\n<p><span style=\"color: #0000ff;\"><strong>Internati<\/strong><\/span><span style=\"color: #0000ff;\"><strong>onal<\/strong><\/span><span style=\"color: #0000ff;\"><strong> panel:<\/strong><\/span><em><span style=\"color: #0000ff;\"><strong> Henry Crabb Robinson and his European Romantic Circle<\/strong><\/span><\/em><\/p>\n<p><strong>James Vigus (Queen Mary University of London)<\/strong><\/p>\n<p><em>Crabb Robinson, Aesthetic Autonomy, and Sta\u00ebl\u2019s <\/em>Corinne, Or Italy<\/p>\n<p><strong>Philipp Hunnekuhl (University of Hamburg)<\/strong><\/p>\n<p><em>Critical Dissemination: Kant, Hazlitt, and Crabb Robinson<\/em><\/p>\n<p>17.30-19.30 \u00a0Senate House, Bloomsbury Room\/ G35\u00a0(ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Thursday 12 &#8211; Friday 13 April 2018<\/span><\/strong><\/p>\n<p><span style=\"color: #0000ff;\"><strong>PARIS SYMPOSIUM: <\/strong><strong><em>Exiles,\u00a0\u00c9migr\u00e9s and Expatriates in Romantic-Era Paris and London<\/em><\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\">\u00c9cole Normale Sup\u00e9rieure<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 18 May 2018\u00a0<\/strong><\/span><\/p>\n<p><strong><span style=\"color: #0000ff;\">Interna<\/span><\/strong><strong><span style=\"color: #0000ff;\">tional<\/span><\/strong><strong><span style=\"color: #0000ff;\"> Panel:<\/span><\/strong><em><strong><span style=\"color: #0000ff;\"> The Romantic Lecture and Its Institutions<\/span><\/strong><\/em><\/p>\n<p><strong>Sarah Zimmerman (Fordham University, New York<\/strong>)<\/p>\n<p><em>The Romantic Literary Lecture: A Short History<\/em><\/p>\n<p><strong>Judith Thompson (Dalhousie University, Nova Scotia)<\/strong><\/p>\n<p><em>John Thelwall and the Uses of Oratory<\/em><\/p>\n<p>17.30-19.30 \u00a0 Senate House, Room 349 (third floor)<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span style=\"color: #008000;\"><b>2016-17 programme<\/b><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 21 October 2016<\/strong> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <strong>Launch event<\/strong><\/span><\/p>\n<p><strong>Christoph Bode<\/strong> (Ludwig Maximilian University, Munich)<\/p>\n<p>De L\u2019Allemagne<em> with Love: English Bards and European Theorists<\/em><\/p>\n<p>Opening reception\u00a0with special guest\u00a0<strong>Marc Por\u00e9e<\/strong> (Paris)<\/p>\n<p><span style=\"color: #000000;\">17.30-20.30\u00a0\u00a0\u00a0\u00a0 Senate House, Bloomsbury Room\/G35 (ground floor)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 11 November\u00a02016\u00a0<\/span><\/strong><\/p>\n<p><strong>Michael Gamer<\/strong> (University of Pennsylvania)<\/p>\n<p><em>Re-collection\u2019s Intranquility: Romanticism, Self-Canonization and the Business of Poetry<\/em><\/p>\n<p><span style=\"color: #000000;\">17.30-19.30\u00a0\u00a0\u00a0\u00a0 Senate House, Bloomsbury Room\/G35\u00a0(ground floor)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Friday 9 December\u00a02016 \u00a0<\/strong> \u00a0 \u00a0 <\/span><\/p>\n<p><span style=\"color: #3366ff;\"><strong>International panel:\u00a0<em>The <\/em><em>Poetics of the Letter<\/em><\/strong><\/span><\/p>\n<p><strong>Pamela Clemit<\/strong> (Queen Mary University of London \/ Wolfson College, Oxford)<\/p>\n<p><em>Difficult to Make and Difficult to Fake: Signalling in Romantic-Period Letters<\/em><\/p>\n<p><strong>Jeremy Elprin<\/strong> (Universit\u00e9 de Caen)<\/p>\n<p><em>\u2018Qui me n\u00e9glige me d\u00e9sole\u2019: The Neglected Countenance of Keats\u2019s Letters<\/em><\/p>\n<p><span style=\"color: #000000;\">17.30-20.30\u00a0\u00a0\u00a0\u00a0 Senate House, Woburn Room\/G22 (ground floor)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 13 January 2017<\/span><\/strong><\/p>\n<p><strong>Martin Proch\u00e1zka\u00a0<\/strong>(Charles University, Prague)<\/p>\n<p><em>The Phantasmal Imagination: <\/em>Biographia Literaria<em> and Continental Philosophy<\/em><\/p>\n<p><span style=\"color: #000000;\">17.30-19.30 \u00a0 \u00a0 Senate House, Bloomsbury Room\/G35 (ground floor)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 10 February 2017<\/span><\/strong><\/p>\n<p><strong>Lynda Pratt\u00a0<\/strong>(University of Nottingham)<\/p>\n<p><em>Romanticism and the Culture of Non-Publication<\/em><\/p>\n<p><span style=\"color: #000000;\">17.30-19.30 \u00a0 \u00a0 Senate House, Bloomsbury Room\/G35 (ground floor)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 10 March\u00a02017<\/span><\/strong><\/p>\n<p><span style=\"color: #3366ff;\"><strong>International panel:\u00a0<em>Literature and the Senses<\/em><\/strong><\/span><\/p>\n<p><strong>Rowan Boyson\u00a0<\/strong>(King\u2019s College London)<\/p>\n<p><em>Common Airs: Sensuality, Smell and Freedom in Romantic Writing c.1798-1805<\/em><\/p>\n<p><strong>Sophie Laniel-Musitelli\u00a0<\/strong><span style=\"line-height: 1.6em;\">(Universit\u00e9 de Lille \/ Institut Universitaire de France)<\/span><\/p>\n<p><em>Sentient Matter: Sight and Sound in Shelley\u2019s Last Poems<\/em><\/p>\n<p><span style=\"color: #000000;\">17.30-19.30 \u00a0 \u00a0 Senate House, Bloomsbury Room\/G35 (ground floor)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #993300;\"><span style=\"color: #ff0000;\">Thursday 20-Friday 21 April 2017<\/span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #0000ff;\">PARIS SYMPOSIUM:<\/span><\/strong> <strong><em><span style=\"color: #0000ff;\">Wordsworth: The French Connection<\/span><\/em><\/strong><\/p>\n<p><span style=\"color: #000000;\">\u00c9cole Normale Sup\u00e9rieure<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 12 May 2017<\/span><\/strong><\/p>\n<p><strong>Gregory Dart\u00a0<\/strong>(University College London)<\/p>\n<p><em>The Lamb Circle and the Birth of Romantic Practical Criticism<\/em><\/p>\n<p>17.30-19.30 \u00a0 Senate House, Bloomsbury Room\/G35 (ground floor)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #ff0000;\">Friday 16 June 2017<\/span><\/strong><\/p>\n<p><strong>Heidi Thomson<\/strong> (Victoria University of Wellington)<\/p>\n<p><em>Coleridge and the Romantic Newspaper: Private Woes and Public Media<\/em><\/p>\n<p>17.30-19.30 \u00a0 \u00a0 \u00a0 Senate House, Bloomsbury Room\/G35 (ground floor)<\/p>\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>All seminars in 2025-26 will be held in Room 349 (third floor) in Senate House, University of London, Malet Street, London WC1E 7HU. Please ask at the foyer for directions. Seminars are free and open to everyone, including postgraduates and members of the public. Registration is not required &#8211; just show up and you will [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=\/wp\/v2\/pages\/50"}],"collection":[{"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=50"}],"version-history":[{"count":209,"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=\/wp\/v2\/pages\/50\/revisions"}],"predecessor-version":[{"id":5124,"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=\/wp\/v2\/pages\/50\/revisions\/5124"}],"wp:attachment":[{"href":"http:\/\/londonparisromantic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}